Yesterday's Print

A collection of old photographs, historic newspaper clippings and assorted excerpts highlighting the parallels of past and present. Featuring weird, funny and baffling headlines, articles and advertisements! Visit www.yesterdays-print.comĀ 

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New-York Tribune, August 7, 1841

‘But what of the Queen?’ you will say; ‘ and how does she look?’ - so natural is curiosity about one so young, and the accident heir to such a fortune. A lady too! Well, I will first tell you how she does not look. She does not look like any one of the thousand portraits I have seen of her. Painters may call them resemblances, but they are not like her. Sully’s is a fine picture, but too magnificent. The London artists have made numberless attempts; the windows are full of prints, the studios of busts, and the museums and bazaars of wax figures; but if any are curious enough to know how she does look, they must come to London, as I have done, and take a good long look at her.

She was twenty-two last May, but she does not appear so old. She is a little, delicate, fair-faced girl, with very light blue eyes, and glossy light hair, smoothly dressed off her forehead. Her teeth do not show as in her portraits, though I suppose they do a little when her face is at rest. I should call her rather pretty; there is a decided expression of gentle, innocent, girlish sweetness in her countenance - just such a face as one who looks on it may well remember for a day, and pray that it may never be clouded with the cares and splendid misery of a station such as hers. I do not know that hers is a crown of thorns; but I thought, and perhaps she thought, as she looked quickly and anxiously about her on the crown, of the mad and wicked attempt, not long since made near that very spot, to assassinate her and her husband, by a boy of eighteen.

Prince Albert is decidedly a handsome young man; and though he wears the abominable mustachios which almost brutalize the faces of three-fourths of the fashionables here, he appears to be a modest, unassuming, quiet, family kind of a personage. He keeps himself entirely clear of the politics of the day, and is never spoken of by any one except as the Queen’s husband.

The Times, London, May 1, 1816

This article was written the day before Princess Charlotte of Wales marriage to Prince Leopold of Saxe-Coburg-Saalfeld. 

Had Charlotte outlived her father, George IV, she would have been Queen of England and Leopold would have been prince consort, but a year and a half later Charlotte died following childbirth, delivering a stillborn son. The accoucheur, Sir Richard Croft, who attended Charlotte throughout her pregnancy, committed suicide three months after her death.

In 1832, Leopold, as the first King of the Belgians, married again to Louise-Marie of Orleans.

Leopold’s nephew, Albert, became prince regent in 1840 when he married Queen Victoria. Victoria was born 18 months after Charlotte’s death.

The Times, on behalf of the English population, welcomes Prince Albert of Saxe-Coburg and Gotha on his wedding day to Queen Victoria, London, England, February 10, 1840
We welcome his Royal Highness to his adopted country in a spirit of frank and...   High-res

The Times, on behalf of the English population, welcomes Prince Albert of Saxe-Coburg and Gotha on his wedding day to Queen Victoria, London, England, February 10, 1840

We welcome his Royal Highness to his adopted country in a spirit of frank and true cordiality.  We wish him all happiness.  We wish him the full reward of public and private virtue in a nation’s approval and in his own. Should he deviate into error, we will respectfully caution him. Should he suffer from calumny, we will strenuously defend him. And so, gallant stranger, we bid you welcome, and God prosper and protect you.

She Never Told Her Love (1857) and Fading Away (1858) combination photographs by Henry Peach Robinson

The Met on She Never Told Her Love:

Robinson seamlessly combined five separate negatives to produce this intimate narrative of family tragedy. The scene centers on a bedridden young woman dying of tuberculosis—or possibly of a broken heart, as suggested by the Shakespearean title of a preliminary study, “She Never Told Her Love”. The picture was notorious both for the “artificiality” of its technique and for its subject matter, which was considered too morbid and painfully intimate to be represented photographically. Robinson’s seamless blending of reality and artifice did, however, appeal to Prince Albert, the husband of Queen Victoria, who purchased a print of Fading Away and issued a standing order for every major composite photograph Robinson would make.